Tinsley Ellis
Since his Alligator debut 30 years ago, Southern blues-rock guitar wizard, vocalist and songwriter Tinsley Ellis has become a bona fide worldwide guitar hero. The Chicago Sun-Times says, “It’s hard to overstate the raw power of his music.” Now, he makes his triumphant return to Alligator Records with a powerful new album, Winning Hand. Armed with his signature molten licks, melodic riffs and rousing, intense solos, Ellis, as his legions of fans will attest, is among the blues world’s best-loved, hardest working and most well-travelled statesmen. He has performed in all 50 United States as well as in Canada, Western and Eastern Europe, Australia and South America, earning legions of fans with his guitar virtuosity, passionate vocals and memorable original songs. Ellis is also revered as a guitarist’s guitarist, with famous friends including Derek Trucks, Warren Haynes, Oliver Wood, Jonny Lang and members of Widespread Panic calling on him to sit in and jam. “A musician never got famous staying home,” he says.
Recorded in Nashville and produced by Ellis and keyboardist Kevin McKendree, the ten brilliantly performed, fervently sung tracks on Winning Hand include nine originals, ranging from blistering blues to heart-pounding rock to soulful ballads. As his only cover song, Ellis pays tribute to his greatest guitar-playing and songwriting influences with a Freddie King-inspired version of rock legend Leon Russell’s Dixie Lullaby. “Guitar, guitar, guitar is what this album is all about,” says Ellis, who recorded primarily with his 1959 Fender Stratocaster, his 1967 Gibson ES 345 and his 1973 Les Paul Deluxe. Guitar World says, “Ellis’ playing sparkles with depth and subtlety. Whether playing deep, slow blues or uptempo rockers, Ellis rides a gorgeously fat, pure tone.”
"Feral blues guitar...non-stop gigging has sharpened his six-string to a razor’s edge...his eloquence dazzles...he achieves pyrotechnics that rival early Jeff Beck and Eric Clapton." –Rolling Stone
"Ellis unleashes a torrent of dazzling musicianship pitched between the exhilarating volatility of rock and roll and the passion of urban blues." –Los Angeles Times
Since his Alligator debut 30 years ago, Southern blues-rock guitar wizard, vocalist and songwriter Tinsley Ellis has become a bona fide worldwide guitar hero. The Chicago Sun-Times says, “It’s hard to overstate the raw power of his music.” Now, he makes his triumphant return to Alligator Records with a powerful new album, Winning Hand. Armed with his signature molten licks, melodic riffs and rousing, intense solos, Ellis, as his legions of fans will attest, is among the blues world’s best-loved, hardest working and most well-travelled statesmen. He has performed in all 50 United States as well as in Canada, Western and Eastern Europe, Australia and South America, earning legions of fans with his guitar virtuosity, passionate vocals and memorable original songs. Ellis is also revered as a guitarist’s guitarist, with famous friends including Derek Trucks, Warren Haynes, Oliver Wood, Jonny Lang and members of Widespread Panic calling on him to sit in and jam. “A musician never got famous staying home,” he says.
Recorded in Nashville and produced by Ellis and keyboardist Kevin McKendree, the ten brilliantly performed, fervently sung tracks on Winning Hand include nine originals, ranging from blistering blues to heart-pounding rock to soulful ballads. As his only cover song, Ellis pays tribute to his greatest guitar-playing and songwriting influences with a Freddie King-inspired version of rock legend Leon Russell’s Dixie Lullaby. “Guitar, guitar, guitar is what this album is all about,” says Ellis, who recorded primarily with his 1959 Fender Stratocaster, his 1967 Gibson ES 345 and his 1973 Les Paul Deluxe. Guitar World says, “Ellis’ playing sparkles with depth and subtlety. Whether playing deep, slow blues or uptempo rockers, Ellis rides a gorgeously fat, pure tone.”
Born in Atlanta in 1957, Ellis was raised in southern Florida. He discovered the blues through the back door of British Invasion bands like The Yardbirds, The Animals, Cream and The Rolling Stones as well as Southern rockers like The Allman Brothers. One night he and a friend were listening to records when his friend’s older brother told them if they liked blues, they should really be listening to B.B. King. As luck would have it, King was in town for a week, and the upcoming Saturday afternoon show was just for teenagers.
Tinsley and his friend went, sitting transfixed in the front row. When B.B. broke a string on Lucille, he changed it without missing a beat, and handed the broken string to Ellis. After the show, B.B. came out and talked with fans, mesmerizing Tinsley with his warmth and kindness. Tinsley’s fate was now sealed; he had to become a blues guitarist. He saw Howlin’ Wolf, Muddy Waters and every other blues artist who came through town, always sitting up front, always waiting to meet the artists, take photos, get autographs. And yes, he still has B.B.’s string.
Already an accomplished teenaged musician, Ellis left Florida and returned to Atlanta in 1975. He soon joined a gritty local blues band, the Alley Cats. In 1981, along with veteran blues singer and harpist Chicago Bob Nelson, Tinsley formed The Heartfixers, a group that would become Atlanta’s top-drawing blues band. After cutting a few Heartfixers albums for the Landslide label, Ellis was ready to head out on his own.
Georgia Blue, Tinsley’s first Alligator release, hit the unprepared public by surprise in 1988. Critics and fans quickly agreed that a new and original guitar hero had emerged. The Chicago Tribune said, “Tinsley Ellis torches with molten fretwork. Ellis takes classic, Southern blues-rock workouts and jolts them to new life with a torrid ax barrage.” Tinsley’s next four releases—1989’s Fanning The Flames, 1992’s Trouble Time, 1994’s Storm Warning, and 1997’s Fire It Up—further grew his fan base and his fame. Features and reviews ran in Rolling Stone, The Chicago Tribune, The Washington Post, The Los Angeles Times, The Boston Globe, and in many other national and regional publications.
Guests including Peter Buck (R.E.M.), guitarist Derek Trucks (who made his recording debut with Tinsley at age 14) and keyboardist Chuck Leavell (The Rolling Stones) have joined him in the studio. Ellis’ song A Quitter Never Wins was recorded by Jonny Lang, selling over a million copies. He in turn has made guest appearances on albums by The Allman Brothers, Gov’t Mule, Colonel Bruce Hampton and others. Producers Eddy Offord (John Lennon, Yoko Ono, Yes) and even the legendary Tom Dowd (The Allman Brothers, Ray Charles) helped Ellis hone his studio sound.
A move to Capricorn Records in 2000 saw Ellis revisiting his Southern roots. In 2002, he joined the Telarc label, producing two well-received albums of soul-drenched blues-rock. He returned to Alligator in 2005, releasing Live-Highwayman, which captured the crowd-pleasing energy of his live shows. He followed it with two more incendiary studio releases, 2007’s Moment Of Truth and 2009’s Speak No Evil. He has since self-released four successful albums on his own Heartfixer label.
Over the course of his career, Ellis has shared stages with Stevie Ray Vaughan, Otis Rush, Willie Dixon, The Allman Brothers, Leon Russell, Son Seals, Koko Taylor, Albert Collins and many others. Whether he’s on stage with his own band or jamming with artists like Buddy Guy, the Tedeschi Trucks Band, Gov’t Mule or Widespread Panic, he always plays with grit, soul and unbridled passion. Back home on Alligator Records with his new album and a massive live tour in the works, Tinsley Ellis is ready to prove again that whenever he picks up a guitar, he’s playing with a winning hand.
Since 2001, the Claude von Trotha Band has combined the soulful voice and blistering guitar work of artist/arranger Claude von Trotha, with a fantastic group of SoCal's top-shelf touring and studio musicians. Their performances before sold-out crowds meld funk, blues, rock, jazz, and soul music - a 9 piece horn driven band whose muscular musicianship and creative restlessness delivers a high energy, truly unique, signature sound. The CvTB's rhythm section lays down a tight groove with a new century punch. The 4 piece horn section utilizes CvT's unique musical arrangements of both original and classic tunes that help define the band's signature sound. Add that to the warm, comedic, 'SoCal attitude' of front man Claude von Trotha and his Flying V guitars, and you have a dynamic musical entertainment package for all ages and musical likes. The Claude von Trotha Band has shared the stage with a diverse mixture of musical acts, including The Yardbirds, WAR, Michael Burks, Larry Carlton, Leon Russell, Sweet, Tower of Power, Blue Cheer, Jack Russell's Great White, Savoy Brown, Ten Years After, Canned Heat, Coco Montoya, Tommy Castro, the Fabulous Thunderbirds, Billy Vera and the Beaters, Johnny A., The Flying Burrito Bros, The Little River Band, Ambrosia, and - well, you get the picture, these cats hit hard, and the people are jumpin' ! The “CvTB” constantly moves forward, determined not to labor in the shadow of their predecessors. They are truly forging their own unique, fresh, ‘SoCal’ musical style, utilizing the instrumentation available to them in unique ways. The result of their effort has earned ‘The Claude Band’ numerous accolades, but more importantly, respect among critics and peers. Find a Claude von Trotha Band show, you’ll be taken in by not only the music, but the joy that the performers exude while they share their music with you.
“… The Claude von Trotha Band or (The CvTB as us hardcore's know them), he's got a 'thing' about him and the way he sings that drives the ladies crazy and makes you want to stand up and groove ….” American Blues News
“Claude is the ORIGINAL funkmeister!....” Elvin Bishop
“…the band is tight. Incredibly tight….” Jack Russell