
Collective Soul
As Ed Roland sings in “This,” the infectious first single and kick-off track on See What You Started By Continuing: “I got to go… where this song leads / Got to go… where this heart bleeds.” Collective Soul have followed their songs and souls to hits and multi-platinum alt-rock success, starting with 1993’s anthemic hit “Shine” and onto “December,” “The World I Know,” a duet with Elton John, a song on the hit Twilight soundtrack, and eight acclaimed albums.
But that was then. And this is now. See What You Started By Continuing, produced by Ed Roland, as were all the band’s previous records, is Collective Soul’s ninth album, and first in six years. After 19 straight years of an often-gruelling album-touring cycle, the pause was intentional. And it served to bring the Atlanta-based line-up back with a fresh enthusiasm and approach. “People take vacations for a reason; to recharge and enjoy yourselves,” Ed observes. On their time off, Ed’s younger brother Dean formed a duo; Ed created the Sweet Tea Project; Will Turpin released solo records. “When we came back, we were just so ready and happy to be together and make new music,” says Ed. “We had time to think about what we had accomplished, and we are very proud of that. We came back with a lot more confidence.” Plus, with the 2012 addition of drummer Johnny Rabb, and lead guitarist Jessie Triplett joining the family in 2014, the classic Collective Soul triumvirate were even further energized.
That’s evident in the master riffs, soaring melodies and tough, dynamic rockers that comprise the 11-song collection, which was engineered and mixed by long-time collaborator Shawn Grove (Sevendust, Stuck Mojo). Though some ballads were recorded –after all, Collective Soul’s poignant 1995 ballad ‘The World I Know” was a #1 hit—the energy ultimately proved more intense, and the band’s mantra became “’let’s make a rock record.’ There are a couple mid- tempo songs, but it really is a rock riff record, which is what I think people like from Collective Soul,” says Ed. While “Without Me’ boasts lovely piano, (real) strings and soulful female vocals, the edgy, mid-tempo “Exposed” is blunt in its accusations: “You took all my money, you took all my clothes / you took a little of everything, but it’s you who’s now exposed.” That’s ripped from real-life - though not Ed’s own: “I actually wrote that for a buddy; he went through something very difficult.”

