Jon Foreman of Switchfoot
Show Dates are Subject to Change
Wednesday
Feb 9th
8:00 pm
PST
6:00 pm Doors
$40.00
SHOW DATES ARE SUBJECT TO CHANGE
Jon Foreman VIP Experience
A very special limited capacity post-show VIP experience is available as an upgrade on Jon Foreman's website. This experience will include songs, question & answer time, and knowing Jon, some surprises too! This experience is an upgrade to your ticket and does not include admission to the venue nor does it provide reserved seating.
A very special limited capacity post-show VIP experience is available as an upgrade on Jon Foreman's website. This experience will include songs, question & answer time, and knowing Jon, some surprises too! This experience is an upgrade to your ticket and does not include admission to the venue nor does it provide reserved seating.
Tyson Motsenbocker
Singer-Songwriter
Tyson Motsenbocker is a singer-songwriter from Central Washington. Since his relocation to Southern California, Motsenbocker has released one full-length records and two EPs. His second album, "Someday I'll Make It All Up To You," is due for release on Feb. 13, 2020. His sophomore release embraces life's complexities with a balance of both charm and grit as he reflects on a world he's wrestling to understand. His album pursues time's ability to both slow life down and quickly transform it, having experienced its duality after returning home from multiple tours to a nearly unrecognizable city. The jarring realization resulted in an album rich in observations about life's propensity to trick you into thinking it won't change. His songs- both lyrically and sonically- are abrasively honest. "Someday I'll Make It All Up To You" was produced by Tyler Chester (Blake Mills, Andrew Bird), with performances by Aaron Redfield, Griffin Goldsmith (Dawes), Dan Bailey (Father John Misty), James McAllister (Sufjan Stevens, Jeremy Enigk), Madison Cunningham, Sam Weber and Matthew Wright, and was recorded almost entirely live. The project relies heavily on the performances of the musicians and the strength of the songs, not technology's ability to alter its imperfections. The result is an album perfectly imperfect, perhaps best exposing Motsenbocker's sincerest agenda to tell the truth.