New Year's Eve with English Beat
A story behind every song…
Dave Wakeling is a hell of a nice guy! Dave loves to tell you the stories behind his songs, either from stage or after the show. Ask any one of the thousands of fans who have met him over the years and that’s what you’ll hear. Never mind that Dave is the singer/songwriter from two of the most popular bands of the end of the millennium, The English Beat and General Public, he’s a stand up man from Brum. Whether it’s the personal as political in How Can You Stand There, making politics personal in Stand Down Margaret, taking a stand against global warming as he did making Greepeace’s Alternative NRG, or helping little kids stand tall with Smile Train, Dave has always stood for something.
And like the might Redwoods of his adopted home of California (dude!), it’s easy for Dave to take a stand because of his strong roots…
Hailing from working-class Birmingham, England, Dave and The English Beat entered the music scene in the troubled times of 1979. When The English Beat rushed on to the music scene it was a time of social, political and musical upheaval. Into this storm came they came, trying to calm the waters with their simple message of love and unity set to a great dance beat.
The six member band consisted of singer/songwriter Dave Wakeling (vocals & guitar), Andy Cox (guitar), David Steele (bass), Everett Morton (drums), Saxa (saxophone) and Ranking Roger (toasting). The band managed to fuse all of their respective musical influences – soul, reggae, pop and punk – into a unique sound that was highly danceable. Along with contemporaries such as The Specials, The Selecter and Madness, The English Beat became one of the most popular and influential bands of the British Two Tone Ska movement.
Over the course of three albums, The English Beat achieved great success in their home country, charting several singles into the top 10. In addition to their UK chart success, in America the band found a solid base of young fans eager to dance to the their hypnotic rhythms and absorb their message of peace, love & unity. Their constant touring with iconic bands such as The Clash and The Police helped to boost their popularity in the States.
Despite his huge success, Dave didn’t stop singing and acting on the problems caused by what he called the “noise in this world”. The band donated all the profits from their highly successful single version of “Stand Down Margaret” to the Committee for Nuclear Disarmament. They donated their music to causes including the anti-nuclear benefit album “Life in The European Theatre”, “The World of Music and Dance” album focusing on indigenous people’s art, and lent their voice to The Special AKA’s anthemic song of freedom “Free Nelson Mandela”, to name but a few.
Dave Wakeling once told me that every great band only has three really good albums. And true to form, The English Beat disbanded in 1983, after their third album, “Special Beat Service”.
The end of one chapter and the beginning of a new one…
It was at this point that Dave recruited Roger, Stoker (drums) and Mickey Billingham (keyboards) of Dexy’s Midnight Runners, Horace Panter (bass) of The Specials, and Clash guitarist Mick Jones to form a new band: General Public. Their first album, All The Rage, met with phenomenal success, charting high in the U.S., U.K. and even winning the band a coveted Juno award in Canada for Best New Artist in 1984.
After the fantastic success of All The Rage, Dave spent two years writing and recording the follow-up album, Hand to Mouth. Like Wha’ppen before it, this sophomore effort was more introspective, taking fans along with him on Dave’s continual exploration of the light and dark side of human emotion. The album was a critical and fan favorite, and spawned two hit singles, Too Much or Nothing and Come Again.
After the second General Public Album, Dave decided to go in a different musical direction and follow his own muse. Having previously worked in Hollywood with John Hughes on his iconic film Ferris Bueller’s Day Off, Dave returned to work for the silver screen, producing the soundtrack and recording the title track for Hughes 1988 film She’s Having a Baby. After that he recorded his first solo record, No Warning. The album maintained the pop sensibilities for which General Public had been known, and in addition exposed even more of the mind and emotions of the man behind it all.
Forward as one…
After his solo album, Dave decided to put his notoriety to good use, and pursued a full-time position saving the planet at a job with Greenpeace. This didn’t mean a break from music, just a break from being the lead singer, as he stepped inside the mixing booth to produce the Greenpeace album Alternative NRG.
What made this album outstanding and ground breaking was not just the outstanding roster of rock luminaries Dave convinced to appear on the album, including REM, U2, Midnight Oil, UB40, Annie Lennox, and Sonic Youth, to name a few, but the fact that it was recorded in 14 separate venues across America using a recording truck powered exclusively by solar power – a 160 square foot, 1,920-watt solar panel array contained in a trailer known as Cyrus. The power produced by the solar array, once converted to AC (the sun is DC), generated enough electricity to meet the needs of an average-size house for several days, and was proof positive of the viability of solar and other forms of alternative energy.
I’ll take you there…
After a metaphorical bump on the head from Elvis Costello for abandoning his post as crooner (a true story, ask Dave about it some time), Dave felt the need to “take us there” one more time. Dave teamed up with old friends to reform General Public and wrote and released his third GP album, Rub It Better, in 1995. The album and Dave’s return to the stage were met with an outpouring of critical raves and fan support. The album provided yet another hot single for Dave, with his infectious reggae remake of an old Staples Singers song, I’ll Take You There, climbing the singles charts and anchoring the soundtrack of the very hip, box office hit Threesome, starring Lara Flynn Boyle, Stephen Baldwin, and Josh Charles.
Having stricken a whole new group of fans with Beat-madness, Dave then disband General Public in 1996. However, true to his philanthropic bent and always looking to help other musicians out, Dave reformed GP in 1998 to play a benefit concert for Sweet Relief, a wonderful grassroots organization that provides assistance to career musicians.
The English Beat goes on…
Having accepted and embraced his true calling again (thanks Declan) , Dave continued to perform, touring back and forth across the States. Dave did it old school, touring clubs and playing countless gig from sea to shining sea, re-connecting with his Beat and General Public fans and building a strong and loyal fan base that continues to love his songs and embrace the evolution of his music.
Then, in February 2003, we saw a dream come true for Dave and many Beat fans as the band reunited (no, not on that show) for a mini-tour in the UK, which culminated in their sold-out command performance at the Royal Festival Hall! Dave, Everett, Roger, Blockhead and the star of the show, Saxa, took the crowd by storm! It was a magical homecoming for Dave and a really wonderful experience for the fans, with band members and fans gathering from around the globe for a night or irie, ska-ful rock-steady Beat! Being the hard driving ska legend that he is, however, Dave Wakeling was not content to rest on his laurels after the RFH reunion…
Tongue firmly in cheek, feet on the ground and eyes on the future, Dave takes the stage time and again, touring across the States, Canada, the UK and beyond. He does it for two reasons. First, he loves to play music, period. Second, he sees his job here on Earth to be bringing a message of love, unity and a steady, rhythmic groove of danceable songs with a message to the masses. Fans see him as an icon and to the young bands coming up he’s the elder statesman of ska. His swooning croon has been covered by such rock luminaries as Peter Townshend, Eddie Vedder and Elvis Costello.
He’s repeatedly referred to in the press now as a “legacy artist” and an “icon”: he’s wasn’t quite sure what it all meant and thought he might be entitled to some extra initials after his name (he wasn’t).
However, he learned what those terms actually mean early in 2006 when, much to his surprise, bemusement, and eternal joy, the Rock & Roll Hall of Fame contacted him and asked him for his trademark Vox teardrop guitar, to be displayed in a place of honour alongside the axes of Jimi Hendrix and Nirvana’s Kurt Cobain. Truly a wonderful and humbling experience for a working class boy from Brum!
Dave is currently entering a musical renaissance and, still enjoying that legacy moment, he’s now planning on going into the studio to lay down a new album. Dave also continues to tour as The English Beat, as he had done for the last three decades, with an amazing all-star ska backing band (featuring players from The English Beat, General Public, and guest stars from the likes of The Specials, The Selecter, and other 2Tone bands) playing all the hits of those bands and his new songs. Expect the unexpected and prepare to be blown away by the ever-changing King of Ska!
One thing that hasn’t and won’t change though, Dave Wakeling remains a hell of a nice guy.
Louis “Sir Lou” Kahn
The Untouchables (sometimes known as The UTs) are a soul/mod revival band from the Silver Lake, Los Angeles, California area.
They formed in 1981 as part of the embryonic L.A. mod revival, after being inspired by the ska revival/punk rock band The Boxboys. Since some couldn't play instruments, they either hastily learned, or became vocalists. The original lineup included: Kevin Long (vocals), Chuck Askerneese (vocals), Terry Ellsworth (rhythm guitar), Clyde Grimes (guitar), Rob Lampron (drums), Herman Askerneese (bass) and Jerry Miller (vocals, timbales).
After a shaky start playing at parties, the integrated septet were eventually booked at the O.N. Klub (known as the On to regulars). The band had guaranteed the club that they would pack the venue, and they did not disappoint. In middle of that year, they released their first 7" single, copies of which were snapped up by local mods. The Untouchables originally played covers such as "We Ain't Got Nothing Yet" (Blues Magoos), "Whatcha Gonna Do About It" (Small Faces) and "(I'm Not Your) Steppin' Stone" (Monkees) in addition to their own songs. Late in 1982, the band began a stint as the house band at the Roxy Theatre. Terry Ellsworth left the band in the summer of 1983, at the height of the California mod revival. Josh Harris was added on keyboards, and Will Donato (who became a successful smooth jazz artist) started on sax.
Their second single, "The General," became a minor local hit, despite poor distribution. The band performed "The General" in the 1984 comedy The Party Animal, and they appeared as a scooter gang in the movie Repo Man. In early 1984, they were signed to Stiff Records. Concerts with The B-52's, Black Uhuru, Bow Wow Wow, Red Hot Chili Peppers, Fishbone, No Doubt and X all over California gave the group a disparate following of whites, blacks, mods, punks, surfers and rockabilly fans, with the local performances drawing up to 1,500 people. The band also appeared in the 1984 film Surf II, performing "Dance Beat", and 1987's No Man's Land, performing "What's Gone Wrong".
Vocalist Kevin Long (who had named the band) left in 1984. Guitarist Clyde Grimes took on more vocal leads, and in 1984 the band recorded "Free Yourself", which became very popular, especially in the United Kingdom. The band has gone through many lineup changes since then, and as of 2006, only vocalist Jerry Miller remains from the original lineup.